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Brand brief — Clay Corporate — Taiho TOIDESIGN.md

DESIGN.md — Taiho Ventures, LLC

Per-style brand authority for src/styles/31-clay-corporate-taiho-toi/. Produced by columbus-design-md-builder. Read by columbus-design-author at scaffold time and by columbus-design-iterator on every refinement. Treat sections 1–7 as canonical truth.

This style is a faithful recreation of the April 2026 Taiho Oncology corporate-website redesign brief (research/toi-may-2026/), pivoted to apply to Taiho Ventures, LLC — Taiho Pharmaceutical's $400M corporate venture arm investing in early-stage biotech. The visual system, typography, and palette are fixed by the brand book; the narrative pivots from patient-facing oncology subsidiary to founder-facing strategic-pharma backer.


1. Aesthetic Anchor

Primary family: Warm Editorial — pharmaceutical-corporate variant. Lora serif × Clay-brown bands × authentic humans-in-labs photography. The page reads like the print-version of a corporate annual report, not a SaaS product tour. Secondary remix: Clinical / Journal layout — ribbon-style data tables with a warm-brown header row and alternating Pebble rows (lifted directly from the redesign brief's pipeline pages, repurposed here for investment-criteria and portfolio data). Reference brands: Genentech (warm-but-clinical photography of real scientists) × Bristol Myers Squibb corporate (institutional Clay/Earth gravitas) × IBM (Plex Sans clarity, geometric counterweight to the serif) × JAMA / Lancet (ribboned tables, eyebrow-then-headline page bands). Visual atmosphere: Warm but institutional. Clay-brown header bands tinted over photography of people in labs, in patient rooms, around boardroom tables. Ocean-teal headlines float on Sky-mint section cards. Yellow shows up as a single vertical editorial bar to the left of pull quotes; red shows up only as the rule under "MORE RESOURCES." The page reads earnest, scientific, slightly grandfatherly — a brand that has spent sixty years in oncology and is telling you about it without the vocabulary of a Series A pitch deck.

2. Brand Voice

Adjectives: warm, plain, peer-level, generous with detail, lightly literary. Voice anchor: Ann Handley — the partner voice (full fingerprint in anti-slop-copy/references/voices.md). Voice sample (from anti-slop-copy's voices.md — Handley's applied-to-brief example, kept here as the canonical exemplar for downstream agents):

Running a small agency is mostly about remembering. Remembering to reply, to send the deck, to chase the approval. The work itself is the easy part. We made a tool that remembers for you. It's not very exciting. It just works.

Brand-voiced exemplar paragraph (critique-passed against the anti-slop checklist — apply this register to every paragraph of body copy on this site):

Taiho has been working on cancer, immunology, and urology for sixty years. The companies in this portfolio are working on what comes next — first-in-class small molecules, biologics, gene and cell therapy, mostly research to pre-IND. The check is the start of the conversation, not the end. Founders sit across from people who have actually taken a compound to approval, and the board seats we said we'd fill, we fill.

Says (3 in-voice phrases the brand actually writes)

  1. "You're working on the science Taiho has been working on."
  2. "The check is the start of the conversation, not the end."
  3. "The board seats we said we'd fill, we fill."

Avoids (brand-specific — the general AI ban list lives in anti-slop-copy and applies automatically)

Sample sentences (in-voice one-liners through the critique pass — patterns for downstream agents to imitate)

  1. "Most of our portfolio came in at research to pre-IND; a few we picked up at IND or proof-of-concept when the science was right."
  2. "You don't get a check and a Slack channel. You get a partner who knows the regulatory path because they walked it."

One Handley-specific note for downstream agents. Handley's signature is generous detail and second-person address. When a sentence feels too plain, it's not — reach for a real noun, name, or number, not an adjective. Specifics this brand has earned the right to use: sixty years (Taiho founded 1963), $400M AUM, ~25 portfolio companies, Anavo / Arcus / Cullinan / Halda / NextCure / ORIC / Orna / Werewolf as named portfolio examples, Sakae Asanuma (President & CEO, founded 2016), oncology + immunology + urology as therapeutic areas, research-to-pre-IND as the typical entry stage.

3. Color Palette & Roles

Mode: light. Dominant: #A36234 (--clay-corporate-clay) — Taiho's renamed primary brown. Used for footer, hero overlay, page-header bands, and ribbon-table header rows. Accent: #0F7280 (--clay-corporate-ocean) — desaturated teal. Used for headlines (always Lora), CTA pill buttons, circular arrow buttons on news cards, and underline rules below H2s. Surfaces:

Hard accents (use sparingly — never as a backing color):

Notes:

4. Typography Rules

Headline font: Lora — https://fonts.googleapis.com/css2?family=Lora:ital,wght@0,400;0,500;0,600;0,700;1,400&display=swap — weights 400, 500, 600, 700 (italic 400 for the body-paragraph emphasis on "People-First Purpose: Programs / Initiatives"). Body font: IBM Plex Sans — https://fonts.googleapis.com/css2?family=IBM+Plex+Sans:wght@400;500;600;700&display=swap — weights 400, 500, 600, 700. Pairing principle: High-contrast — warm humanist serif against geometric sans. Lora's open curves give clinical credibility a human face; Plex's geometric clarity keeps the data-dense pages (criteria tables, portfolio grids) from feeling antique. Weight extremes: Lora 400 (italic accents only) ↔ 600 (display). Plex 400 (body) ↔ 500 (button labels) ↔ 700 (eyebrows + table headers). Size scale (desktop): H1 3.5rem (Lora 600), H2 2.25rem (Lora 600), H3 1.25rem (Plex 600 — note: H3 switches to sans), body 1.0625rem (Plex 400, 1.6 line-height), eyebrow 0.75rem (Plex 700, all-caps, 0.08em letter-spacing), caption 0.875rem. Max font sizes per page: 3 — typically H1 + body + eyebrow, with H2 and H3 shared with H1 + body slots. Switching rule: display copy (H1, H2, page-header bands) is always Lora. Subheadings on cards (H3), eyebrows, table headers, and all body / UI / nav are always Plex Sans. The serif/sans switch is the brand's typographic signature; never blur the boundary. Banned (do not use): Inter, Roboto, Open Sans, Lato, system stacks, Space Grotesk, Montserrat, Poppins, Source Sans, Nunito, Work Sans. Any other serif than Lora for display. Any other sans than IBM Plex Sans for body.

5. Layout & Density

Grid: 12-column with editorial breaks. Two-column 8/4 splits used for the "Areas of strategic alliance" pattern (label left, icon-list right). Full-bleed bands used for hero, featured-news cards, and footer. Container max-width: 1200px (the redesign brief reads as ~1180–1240px content width). Section rhythm: Varied — dense-then-airy. Hero is photographically dense with overlay; the lead-paragraph pull quote is narrow and breathing; "Explore" Sky-mint cards are airy with generous padding; ribbon tables are dense data; footer band is dense again. The page's beat is photograph → margin → cards → margin → table → cards → footer. Min container padding: 24px (mobile), 64px (desktop), 96px on the largest screens. Asymmetry / overlap commitments:

6. Atmosphere & Media

Hero treatment: Full-bleed photographic hero with Clay overlay. Photo subjects are real people in real settings (founders, scientists, patient-and-caregiver pairs in domestic spaces). Overlay is a Clay-to-transparent gradient flowing left-to-right, so the left third of the frame is dark enough for white Lora display copy and the right two-thirds remain photographically legible. Hero is ~520–620px tall on desktop. Atmospheric layers:

7. Do's and Don'ts

Do:

Don't:

8. Agent Prompt Guide

For any agent reading this file:

9. Notes & References

Created: 2026-05-08 Last updated: 2026-05-08 Source URL: n/a (recreation of an internal redesign brief, not a live site) External references:

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